Wellywoodwoman

For Women Who Make Movies. & For The People Who Love Them. Globally.
btchflcks:

“The Accidental Feminism of 4 Months, 3 Weeks and 2 Days” by Nadia Barbu
European dramas have been described as award-baiting “misery porn” more than once, endlessly piling misfortunes on the characters, and while I don’t think 4 Months, 3 Weeks and 2 Days is misery porn, the scene in which Mr. Bebe demands sex with the two girls made little sense to me, except that it made me cringe, but it’s not like the film didn’t have enough cringe-inducing material already. Would the film have been just as talked about without the rape? Or without the seemingly endless shot of the aborted fetus?
[click here to read more]

btchflcks:

“The Accidental Feminism of 4 Months, 3 Weeks and 2 Days by Nadia Barbu

European dramas have been described as award-baiting “misery porn” more than once, endlessly piling misfortunes on the characters, and while I don’t think 4 Months, 3 Weeks and 2 Days is misery porn, the scene in which Mr. Bebe demands sex with the two girls made little sense to me, except that it made me cringe, but it’s not like the film didn’t have enough cringe-inducing material already. Would the film have been just as talked about without the rape? Or without the seemingly endless shot of the aborted fetus?

[click here to read more]

femfreq:

This is the second in a series of three videos exploring the Damsel in Distress trope in video games. In this installment we look at the “dark and edgy” side of the trope in more modern games and how the plot device is often used in conjunction with graphic depictions of violence against women. Over the past decade we’ve seen developers try to spice up the old Damsel in Distress cliche by combining it with other tropes involving victimized women including the disposable woman, the mercy killing and the woman in the refrigerator.

Due to the nature of the topic, this video comes with a trigger warning for violence against women.

For more information and a full transcript visit: http://www.feministfrequency.com/2013/05/damsel-in-distress-part-2-tropes-vs-women/

DEFINITIONS:

The Damsel in Distress: As a trope the damsel in distress is a plot device in which a female character is placed in a perilous situation from which she cannot escape on her own and must then be rescued by a male character, usually providing an incentive or motivation for the protagonist’s quest. This is most often accomplished via kidnapping but it can also take the form of petrification, a curse or demon possession. Traditionally the woman in distress is a love interest or family member of the hero; princesses, wives, girlfriends and sisters are all commonly used to fill the role.

Damsel in the Refrigerator: A combination of the Women in Refrigerators trope and the Damsel in Distress trope. Typically this happens when a female character is killed near the beginning of a story but her soul is then stolen or trapped and must be rescued or freed by the male hero. Occasionally time travel or some other form of resurrection may be involved in the quest to bring the women in question back from the dead.

Disposable Damsel: A variant of the Damsel in Distress trope in which the hero fails to save the woman in peril either because he arrives too late or because (surprise twist!) it turns out she has been dead the whole time.

Euthanized Damsel: A combination of the Damsel in Distress trope and the Mercy Killing trope. This usually happens when the player character must murder the woman in peril “for her own good”. Typically the damsel has been mutilated or deformed in some way by the villain and the “only option left” to the hero is to put her “out of her misery” himself. Occasionally the damsel’ed character will be written so as beg the player to kill her.

Everything we need to know about crowd-funding in a series of excellent interviews!!!

Brilliant review of brilliant novel!

Renowned poet Muriel Rukeyser (1913-1980) wrote a novel, Savage Coast, about he Spanish Civil War which was lost. Now it’s found. It is glorious and this review from Leah Falk explains why.

gradientlair:

affrm:

@AFFRM is proud to partner with Los Angeles Film Festival for the world premiere of VENUS VS. directed by Ava DuVernay.  Tickets now on sale!

<3

A new Ava DuVernay film! Always an exciting moment!

femfreq:

When I opened the latest issue of Game Informer magazine I was surprised to see a quote from my own GDC talk “Equality or GTFO: Navigating the Gendered Minefield of Online Gaming Spaces.”  

The section titled “Overheard at GDC” features many female voices including Robin Hunicke, Brenda Romero, Susan O’Connor and Elizabeth Sampat discussing their desire for a more inclusive gaming industry.

“With thousands of programmers, animators, and producers in attendance, the Game Developers Conference is a great place to take the pulse of the industry.  This year, much of the chatter had to do with challenging the game industry to move out of its comfort zone, whether that be escaping well-worn game design conventions, embracing more diverse characters, or making the development culture more inclusive to women.”

Good to see this, to add to Jill Murray’s great GDC talk: Diverse Game Characters; Write Them Now!

Here’s Jane Campion at Cannes on Thursday, talking about women directors. She’s far far away on stage but audible. Includes French translation!

(Source: youtube.com)

Jane Campion and her Carosse d&#8217;Or at the Cannes Film Festival. Looking for full text of her acceptance speech.

Jane Campion and her Carosse d’Or at the Cannes Film Festival. Looking for full text of her acceptance speech.